Well, I can't say I didn't see that coming. In case you haven't heard (and otherwise don't care), the latest frankensteinian Star Trek series, Enterprise, was cancelled. Apparently it wasn't living up to UPN's standards, and you know how they are about quality.
I must admit, I looked forward to Enterprise when it debuted. It had that catchy rock song for the commercials then they changed it to the Rod Stewart song. Bah. The opening credits rock, not the lame moving planets or gases in nebula from Uranus or whatever, it showed the history of human exploration and it was pretty cool. Except for Rod Stewart's song (which is catchy in its own right) they were doing something pretty new with the show.
It had potential.
Hell, Star Trek Voyager had potential.
But I'm not that big a Star Trek fan, I can barely tell Klingons apart from the Cylons. I know one has that cool Knight Rider effect for their eyes and that they're sometimes human (that's the New Battlestar Galactica). The other one apparently has crinkly foreheads, don't bathe or brush their teeth, and are warriors of the barbarian persuasion.
I agree with my fellow geeks' assessment that the Star Trek series needs to lay fallow for a few years. Get some new guys in there, stop with the lame attempts at multiculturalism, and tell a damn story. Babylon 5 managed to get it right. Firefly was doing it well before it got axed. (By UPN's less forgiving counterparts in FOX... sheesh, those guys cancelled Family Guy which they're bringing back - huzzah - and now Firefly's turning into a movie. Good call, Fox execs... not!) And Battlestar Galactica is doing it right from the start.
I was absolutely stunned when I first saw the new BSG two-parter pilot a while back (I've since seen the entire first season up to Ep 13) and I'm still in awe. If Berman and Braga would at least try to rip off something other than other Star Trek shows (and not managing to mangle while they're ripping) then they should set their sights on this juicy show. When was the last time you could actually feel for someone in a show with a sci-fi setting? (Oh noes! Our Quantum-Flux tachyon inducing monomolecular thinggy!!! Who the frell cares?)
The people of BSG go through a near genocide. I mean a real brutal eradication of the human species, brought on by, unsurprisingly enough, robot sex. I tell ya, that Space Pope was right. (If you know what I'm talking about, I'm sorry for you too.) This is what we wanted Babylon 5 to mature into. Screw the guys who want their old shows for nostalgia sakes - it's done. I won't be the first to say this, and I hope I won't be the last, but the old show is a crappy pantomime of Star Wars with campy acting but good writing (at least, as far as background material is concerned) compared to this incarnation.
Betrayal. Lust. Anger. Hatred. Mistrust. Ego. The new Battlestar Galactica is not your older Battlestar Galactica. In its creation you do not suddenly lose your older, more personally cherished version. So let the rest of us who couldn't stand the original, or didn't even bother watching it, enjoy this.
What did Scott Bakula go through? I can't even recall the first two seasons of Enterprise, though there were some story elements in there for sure. Then there was that oh-so-clever "terrorist-attack" on Florida by the guys who got kicked out by bouncers from a Star Wars cantina.
Which brings my rambling to Star Wars. CBC up here in Canada was nice enough to air the latest version of what George Lucas envisioned Star Wars to be. I've never actually sat down and saw them all in order before, but they were aired a week apart and hell, it was free. Three things stand out for me, and beware of SPOILERS! because here I go: First, he added rings to the lame explosions of various Big Things; Second, I recall Harrison Ford shooting first but it seems now that he's shooting at almost the same time - was cooler before; Third, adding Hayden Christiansen instead of the balding Irish dude at the last part of Return of the Jedi.
There are possibly many other things that I've missed, but hey, limited attention span here. There is no doubt that the best movie in that original trilogy was the one that Lucas had (as I was told) aid in directing the film. Now, he's certainly rich enough to do whatever the hell he wishes and God knows you don't need money to be able to do that. It just helps in being able to get away with it.
As a sci-fi institution, Star Wars is mildly cooler than Star Trek because of two things: Lightsabres and Darth Vader. Hayden does alright as a human teen, but if he turns petulant instead of evil in Revenge of the Sith, he'll do something that won't be correctable decades along the line. I'll give him the benefit of the doubt and will watch Episode 3 with an open mind and an open jaw for popcorn injections. See, unlike BSG, the older ones are actually better liked by old and new alike.
The new movies look better, that's only natural. The acting is a bit clearer, and certainly the swordsmanship displays are more fully fleshed out. But it lacks something, it lacks the primality with which gripped millions of viewers when they first saw Star Wars.
And one thing destroyed it and has been the problem of many tightly-knit sci-fi shows. Tie-ins.
I don't mean commercial products, I mean the quaint little connections between the stories. Fanboy service, in other words. I like Brent Spiner, even when he did Dude, Where's My Car?, but what he did on Enterprise (while a great perfomance and something new from him) was just that. It plagues every science fiction show more than others because the fanbase isn't that diverse. Someone who watches Farscape will undoubtedly watch Stargate SG-1 if nothing more connects the two other than the fact that in order to be able to watch Farscape you need the sci-fi network/channel/service and you'll get many other shows along with your Farscape.
The Phantom Menace tried doing this and failed. Now, the original trilogy is still fresh in my mind but I recall Obi-wan saying that he trained right under Yoda and took Anakin in against the wishes of the Jedi council. That certainly what ended up happening after Liam Neeson's character died but there was a direct reference there. Self-referencing that stuff when you're recreating that point in time is essential since that's the point of the film. But they added R2D2 and C3PO in there for some reason. I know the original Star Wars was based on the tale of two servants, but this was a needless tie-in that caused problems of its own.
Serious sci-fi should steer clear of this. Stargate, as much as I love it, isn't all that serious even when it is. They can get away with putting Ben Browder and Claudia Black in Season 9 (really though, yay) because SG-1 is a funny show that doesn't take itself too seriously. They explore myths, have fun with them, shoot and blow things up, have fun with that, and if there's time, do some nice drama. It's not addressing the light and dark sides inherent in all beings, not preaching the wonders of science and the ability to unite everyone under its miracles, nor is it trying to talk about humanity's hubris.
In short, for the next Star Trek show NOT to suck it must have the following: a good, solid cast founded not for their attractiveness nor their "name" but their capabilities as actors (they've been good about this, but I still can't tell the chief engineer and the security guy apart); a good, solid story and viewpoint THAT HASN'T BEEN DONE YET (spaceships and spacestations are gone, try something NEW); and set in a time and place that has yet to be covered by what is considered 'canon' by Star Trek fans.
That's right, don't fall to the Dark Side of the fanboys' wishes to explore what they already know but branch out and leave the USS Enterprise behind. Forget exploring whole new worlds with dumbass aliens because unless you're willing to really give such forays some forethought (hello idiots, you wanna know why you're contracting alien diseases? Because you're transporting down in your pajamas) and a real reason to encounter that alien species other than you need an alien race for this week then forget about it. Work with what you already have, don't create new things just because.
And on that note, stop with the really lame tech-talk. Chief O'Brien was the last guy who could get away with it because he's got a nice accent. It stopped fascinating people a long time ago, if something complex needs to be done, then just have the engineer nod and say he'll get on it. Babylon 5 and Battlestar Galactica are infinitely better for not doing such things unless it was really called for (like the malfunction was an integral part of the story and it required scenes to do these things). They didn't use them like crutches.
Watch Battlestar Galactica with James Edward Olmos and you'll be a better sci-fi fan. Check local listings.
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